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Roger waters the wall
Roger waters the wall












“It took me a long time to get over my fears,” he wrote in a letter to fans in 2010 explaining why he was resurrecting The Wall tour. Was a way for him to exorcise personal demons: his feelings surrounding the loss of his father in World War II, the severity of the English school system and the isolation and dysfunction of rock stardom, among others.īut Waters, now approaching his seventies, has come to terms with his past, and the current, contemporized production of The Wall Live demonstrates his concerns with how the forces behind these ills infiltrate society to the detriment of many. Has become a vehicle to convey what he sees as vital messages about a host of modern societal plagues, from greed and corruption to nationalism and religious supremacy. Waters has a longstanding reputation for being a hyper-attentive, if downright controlling, musical director, factors that contributed to the myriad inter-band tensions that led him to leave Pink Floyd in 1985.īut a fierce creative drive isn’t the only force fueling his passion for this new production. In fact, his commitment to this larger-than-life production is so singular that he still soundchecks every concert to make sure the sonics and stage show-like tonight’s giddy children-are performance ready. Wielding his legendary black Fender P-Bass, Waters embellishes the song’s funky bassline with the assuredness and finesse reserved for only the most seasoned musicians.Īlthough tonight’s show arrives three years and nearly 200 dates into The Wall Live world tour, Waters’ excitement is palpable. Even in this casual pre-show setting, his vocals are strong, possessing much of the same vulnerability and theatrical range that they had when

roger waters the wall

Waters smiles and dances in sync with the kids. They receive their stage instructions and soon begin yelling, “Hey! Teacher! Leave them kids alone!” at the huge, menacing inflatable schoolmaster puppet that descends from the rigging above the stage. Waters stops the rehearsal to welcome the children, who will appear with him onstage later tonight during the famous “We don’t need no education” refrain from “Another Brick in the Wall (Part 2).” As with every performance of The Wall Live, the kids have been recruited from local youth organizations.














Roger waters the wall